If you are talking about beadweaving...let's just say it's time
consuming enough that I realized I needed to get into wire and
metal if I was going to actually make jewelry that could be sold
for a profit I've tried beading - the intricate seed beading. That
is an art, IMHO. A simple spiral bracelet took me about 20
hours.
I’m so glad that people are beginning to talk about beadweaving and
other microbead techniques, which have previously been overlooked as
part of the Great Realm of Beading. Seed bead embroidery is one of my
greatest passions, and one at which I know perfectly well I will not
make money. The time and creative effort needed to produce a good,
original piece of beadwork means that the price will always outweigh
the value of the components. Only by combining loom-woven seed bead
panels with silver have I managed to make a few profitable beaded
pieces.
At least one of the reasons to be drawn to this medium is that beads
allow an artist to work with light in a way that other media can’t -
beads offer differing degrees of opacity or transparency,
reflective, metallic, matte, or iridescent surfaces, and even facets
that bring light and motion into the equation.
It’s a shame that some look down on seed beads because they’re
glass, or because they’re inexpensive, when they offer so much in
the way of fueling inspiration.
[Caution: shameless self-promotion about to occur]
If you’re interested, please visit
http://students.msj.edu/SmithJessee/art170/BQ1.html
to see a piece of beadwork on braintanned leather that is going on
its 70th hour of work. It’s all done in 14/o Czech and Japanese seed
beads, and the cougar now has a neck. Someday I will finish the
background…
[End shameless self-promotion.]
I hope other beaders on the forum will share pix of their work as
well - I’m sure many of us would love to see it!
Cheers,
Jessee Smith
www.silverspotstudio.com