Dimensions: acorn: 2" H x 1 1/2" W x 1/2" D
- Remove the die formed acorn from its harness
- Open & insert loose-leaf tea; close & replace into harness
- Hang acorn from small branchlet on main branch
- Place forged branch across cup filled with hot water
- Watch as tea steeps through pierced oak leaves until desired strength.
Photo credit: Karen Carter
Columbus, OH. USA
As a metalsmith I make jewelry and objects, usually boxes and vessels. I prefer to work in sterling and copper not only for their inherent colors but also their ease of malleability. Hammerwork, which includes techniques such as forging, forming and raising, chasing and repousse, provides an important element, allowing me to attain the volume of form and natural lines key to my organic subject matter. In addition to hammerwork, I also use fabrication, electroforming, and casting.
The focus of my current metalwork stems from a lifelong appreciation for nature. The images are comprised of the motifs of insect and seed/pod. A deep-rooted fascination with entomology coupled with the belief that all life is interconnected spurs me to incorporate insects as metaphors and allusions regarding the relationships that exist between the microcosms and macrocosms on Earth. Seeds and pods are selected for their regenerative and encapsulating qualities, as well as the mythology and lore specific to certain plants.
These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.
Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.
As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.
In total 319 artists contributed 729 show pieces for the permanent online exhibition.
Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.
The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.