Noel, I’ve been following the (often conflicting) advice that people
have been giving on working with gold. It’s all wrong— and it’s all
absolutely right. The point is that the proof is in the pudding:
everybody’s experience w/ a given material will vary and, even thought
there must be absolutes out there, I’ve too often seen procedures
successfully implemented that have been deemed impossible to believe
in absolutes.
I don’t think that there is any substitute for working w/ a material
and putting it through its paces in your own studio w/ your own tools
w/ your own music playing and at your own speed. I often advise
students to spend the $200.00 that they would pay for yet another
workshop and put it towards an ounce of gold, or maybe a half of 14k
and one of 18k, or some rose or some white-- whatever-- and just play.
Of course, do some research first (which you already have) but let
your own exposure to the metal be your teacher.
Think of it as a grant. Set aside a certain amount of money w/ which
to buy metal, solders, etc. Consider this money as TOTALLY GONE.
This will allow you to approach the gold, which has some serious
mental baggage, with a minimum of fear. Now, just allow yourself to
play: melt some, fry some, burn some, drop some into water, throw some
out the window-- just give yourself the freedom to approach this
material w/out fear and paralyzing reverence. The reality is that,
aside from tossing it out the window, you will never lose all, or even
most, of your “grant” money. Whatever you screw up can be refined for
a partial, if not majorative, return of your investment. Now you
can’t say that about wood: if you mess up a nice piece of,say, walnut,
you can’t sweep up the sawdust and little walnut bits and send 'em
back to the supplier for a new, smaller piece.
I know of one jeweler who, on first meeting his apprentice, handed
him an ounce of gold and said simply “Play”. The apprentice was told
not to worry about the cost whatsoever. This was maybe the smartest
lesson I’ve ever seen an instructor give. This approach fits my
personal learning style, and I believe that it works for others’ as
well. In the times that I have taught goldsmithing the biggest
stumbling block is the fear. If you can lose that, your ahead of the
curve.
Good luck, Andy Cooperman