Life Cycle - Holding Place

Materials: mild steel, copper rivets, patinas
Dimensions: 34 cm x 42 cm x 21 cm

metal box

one side of the piece lifts off

Photo credit: Bob Pike

Bob G Pike
Pike Studios
High River, AB. Canada

As we move through this world, we leave the marks of our passage.

As a species we leave the heaviest marks of all other creatures combined.

As separate races on this earth, we have no means of common understanding or communication or ways to solve the myriad of problems we create through avarice and the unimportant cultural and religious differences that divide us. We fail to see ourselves as one species, with a need to work together.

As an artist, my work does not directly address these problems in a narrative way, but exists as a metaphor for this philosophy. My work is about the vision, design and building of retro machine like objects, that reflect a rough, coarse beauty and unfinished quality, as are we. The intent of each piece is to remind us of powerful forces that seem beyond our control but really are not.

These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.