The actual surface hardness, or bending resistance of platinum
is NOT harder than white golds. But it makes, when properly
done, a longer wearing, safer prong. Among other things,
platinum is far less likely to be prone to fatigue cracking of
the metal, which can occur in white golds, leading to prongs
which look good, yet are slightly cracked at prong tips, even if
only microscopically. These prongs are then prone to fail later
on, with potential loss of the stone. This problem is particulary
acute with fragile stones, or those with deep pavilions, or
anything else that can give a setter trouble, since he/she will
have to be far more careful fitting and shaping and bending the
prongs. That often means more working, bending back and forth,
and in general, messing around with the metal, to get it safely
set. (not like many diamonds where you can simply cut a seat,
place the stone, and push the prongs down once.)
Also, and perhaps most importantly, platinum has what is
described as a “dead” feel to it when bending. It does not
spring back at all. You push a prong down just snug to the stone
in white gold, and when you let go, it springs back just a little
and the stone is still loose. That means that you have to push
past the stone a little, to spring the prong into place. Or
you’re bending side to side, like closing a jump ring. Or who
knows whatall, to get the darn prong down tight. That nasty
spring back, coupled with the actual force needed to bend some
white gold, has broken a lot of stones, and Kunzite’s perfect
cleavage will give many a seasoned setter a bit of a worry.
Beginners, if they’ve done enough to know better, should pass it
to someone with more experience.
In platinum, though, the stone has a better chance of survival.
Platinum is not actually harder. but it has great tensile
strength, so settings once tight will stay tight, if they’ve been
made correctly. Part of this usually means avoiding long thin
prongs that have no undergallery to help support the prongs. You
CAN bend an unsupported platinum prong away from a stone more
easily if it isn’t heavy enough and you catch it right. Since
platinum prongs don’t so quickly wear down to sharp little edges,
and since you can set the prong tips really tight to the stone,
though, that catching is less of a danger. And with well made
prongs, when you go to set the stone, you can seat it precisely
and carfully, it doesn’t abrade the stone since at contact points
it’s not as absolutely hard and abrasive to the stone, and when
you bend the prong, it goes exactly to where you bend it and
doesn’t spring back. Overall, that is a lot less wear and tear
on a setters patience and strength, as well as a lot less risky
for the stone.
Same thing with bezels. if you need to burnish a bezel down, in
Platinum it takes far, far less effort and pressure to push the
metal to the stone, it burnishes down to a clean edge with much
less work and a better looking result, yet once done, is far
longer lasting and abrasion resistant (in terms of wearing thin,
not in terms of avoiding scratches) than white golds.
You can ask any setter whether they’d rather set fragile stones
in white golds or in platinum. The answer will be resounding
unanimity for platinum, at least amongs those not into masochism.
About it’s only weakness as a setting metal is that in bead and
bright cut type of setting, with normal steel gravers, the metal
does not bright cut, but comes out dull. You need to make up
carbide tipped gravers to get a good bright cut on platinum. And
THAT is a pain in the you-know-where. Carbide gravers are more
work to sharpen, you have to pretty much make them yourself from
square or round bar stock, and they cost more. But this is a
minor concern. For all other aspects, platinum is the metal of
choice.
Then simply look at platinum and white gold jewelry that’s been
in use for a while. Which one wears out faster? which seems to
loosen or loose stones more easily? Again, platinum is by far
the safer choice for the stones.
As with anything, there are no absolutes. You CAN break a stone
while setting it in platinum. And stones DO loosen, or prongs
can break. And the setting must be correctly designed with the
properties of both the stone and the metal in mind. Some designs
used for gold settings are less appropriate for platinum (and
vice versa). but all in all, it’s a far better choice if your
economics and skills allow it.
Peter Rowe