Well, Leslie, my former husband (now deceased) had taken a course in
filigree work here in Norway in the 1970’s. He and his dad took a
course in traditional Norwegian Slje work. That’s the name of the
jewelry used in the National Costumes here. Bjorn didn’t do much with
it, but when I came to visit once in 1988, we dragged out the
equipment and silver and he taught me the basics. I went back and
taught myself more, and learned a bit here and there. A local
goldsmith liked my work and hired me as extra help for a while while
teaching me proper polishing. Reading about general techniques helps.
As to Books, Leon’s first book I’ve got and wasn’t that impressed. I
understand he made a second one. Personally, I work with book
production and have been toying with writing a book, making it ready
for print and then seeing if I can get it published. As I’ve been
making textbooks for a publishing company here in Norway since 1994,
I figure I could make it fairly easily so that a publishing company
would have to do little more than print it.
Otherwise, I’ve found very few sources of info on filigree. Oppi
Untract’s big book on jewelry concepts and technologies has some
on it, but it’s only a small part of a very big and
expensive (but good) book. Another book, if still in print, is
Jewelry Makin and Design by Rose and Cirino. A lot of the designs are
filigree in basis. If it’s not in print, try Ebay, I’ve seen it there
now and again.
I can give you some suggestions/tips/etc by email if you like. First
of all, one difference between Leon’s technique and mine is whether
or not one uses jigs. I do not. I use my hands, my eyes and pliers to
make the shapes I use. It allows for greater flexibility. The trick
is, to use the pliers mostly as an anchor point when bending the wire
shapes and to use your fingers and the natural tension in the wire to
create even curves. Basically, I start by using round nose pliers to
bend an initial tight loop, then use my fingers to drag the rest of
the curve into shape…I don’t force the curve, but let the natural
tention in the wire determing the curve.
Once you get the bending technique and the soldering technique down,
the only thing that limits you is your own imagination and eye for
balance and design. That is what will determine in the end if you can
make it w/ filigree or not. A lot of people get scared by working
with the detailed, fine wires, but once you get the hang of it, it’s
rather easy.
If you haven’t already, take a look at my page
http://www.jeanniusdesigns.com/evolution . I documented the creation
of the butterfly from conception to completion. You can see a bit how
I work.
Jeanne
Jeanne Rhodes Moen
Kristiansand, Norway
http://www.jeanniusdesigns.com