Geometria decorativa, Geometry decorative - Holding Place

Materials: Latón, Brass
Dimensions: 20 x 6cm

This piece was made ??with some of the basic features of sacred geometry, and speciousness leveraging these networks allows us to obtain and was made in silversmithing techniques such as welding, bending, engraving.

Esta pieza fue realizada con algunas de la caracteristicas basicas de la geometria sagrada, aprovechando las suceciones y redes que estas nos permite obtener y fue hecha en tecnicas de la platería como salodadura, doblado, grabado.

Photo credit: Jesús Molina Bautista

Jesus Molina Bautista
Bogotá, Cundinamarca. Colombia

I am a passionate Silversmith this craft which took every day to practice and which I can express what I feel about any topic.
My objects are made by the ancient techniques of silversmith and art as photogravure, Raising, which chasing and learn other day and having the opportunity to transmit to my students

Soy un Platero apasionado por este oficio el cual llevo dia a dia a la practica y en cual puedo expresar todo lo que pienso de cualquier tema. Mis objetos son realisados bajo tecnicas antiguas de la plateria y del arte como el fotograbado, cindelado y otros los cuales aprendo dia y teniendo la oportunidad de transmitirlos a mis estudiantes.

These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.