Another example - one of my specialties is hand engraving…
Originally hand engraving on precious metals was done with a sharp
steel tool mounted in a wooden “handle” - or with a sharp tool struck
by a small hammer… There are still teachers out there using these
methods. I myself teach it to two or three students each year. But
these students usually need to do it in this way because they are
participating in black powder shoots, historical re-enactments, or
Renaissance Faires. They are demonstrating in public and the rules
require them to be “in period” while “performing”.
Over the past 35 years in this little corner of metal embellishment
we have developed tools that assist us in the process. Mechanical
impact tools that rely on a cam to provide impacts like NGraver, and
the newer air powered pneumatic handpieces that deliver higher
strokes per minute very precisely. Steve Lindsay invented a new tool
3 years ago that is as close to the “feel” of a hand pushed graver as
you can get, and does not require the sheer strength and stamina that
we needed “way back when”. (The Lindsay Airgraver Palm Control)
There are many advantages to using the modern day tools. Up to 70
percent shorter learning curve. Faster results. 99 percent less
likelihood of slipping and damaging the work. Less physical trauma
from repetetive motions.
To date, I have had 5 carpal tunnel surgeries, 2 elbow releases, and
shoulder surgery - all caused by hand pushing gravers for the first
10 or 15 years of engraving for a living. None of this would have
been necessary had we had the tools we have today.
In my opinion, the work that results from the use of these modern
tools is much, much finer than that that we could acheive by
physically shoving the graver through the metal. I know of only a
handful of professional engravers who still use the hand push or
hammer and chisel methods. Most are well past middle age and will
soon retire. Most have wrist and shoulder problems. Competing with
younger engravers who have the advantages of pneumatic tools is not
economically feasible anymore.
But… I still get people who come up to me at shows and tell me I
am “cheating” and this is not “real” hand engraving. I always answer
this in two ways. First I put the tool down and look at it severely,
then I command it to get up off the table and start engraving…
When nothing happens, I look up at the person who told me I was
“cheating” and hand them the tool. I ask them to cut a simple scroll
or letter with this easy to use “cheater” tool. They should be able
to, right? After all this is not “real” hand engraving, is it? Not
one has ever been able to do so.
My point is that you still need the SKILL - the tools we use are
just simple tools, not machines. Having engraved for 38 years, I
myself, could not engrave the exact same letter or scroll
identically. There will always be tiny differences. The better your
skill, the harder they will be to see. But humans are not
computerized machines, and the work can never be identical if it is
“controlled” by human hands.
It might interesting to see if the engraving I produce now would
still be considered “hand” work by a government agency - but ya know
what? I really don’t care what labels the government (or anyone else)
comes up with. In the end, I know what it takes to do my job…
assisted or not, it’s handwork.
The bureaucracies do their job - most of which seems to consist of
passing useless and totally unenforceable laws, and making up their
own definitions of what things should be… or not be. Then they
change them if they decide they are not convenient. Obviously, ya
don’t want to get me started on this topic!
Brian Marshall
Stockton Jewelry Arts School
jewelryartschool.com