Cream and Sugar - Holding Place

Materials: Sterling Silver, Wool, Found Object
Dimensions: 4.5 x 17 x 10 in.

Sculpture of a cream and sugar dishes on a knitted serving tray.

Photo credit: Katie Rearick

Katie Rearick
Mackinac Island, MI. USA

At some point in our life we all experience the loss of a loved one and as a result of that loss, we inherit objects. The objects become keepsakes that function as a memorial due to a virtue of the sentimentality we bestow upon them. We become devoted to the objects as a surrogate and try to preserve them through our carefulness of handling, storage or display. In examining these objects that we memorialize- those that become relics and the fetishist act of revisiting the objects- I fabricate sculptural containers out of wood and metal that refer to domestic shelves and cabinets. My work operates through the suggested use of quotidian objects and how these entities function as containment for memories.

These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.