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Cow Brooches - Holding Place


#1

Materials: Nickel, plexi glass, corn, meat, antibiotics, dirt, grass
Dimensions: 2.5 in. x 3.5 in. x .5 in.

These brooches discuss use a variety of materials to discuss the effects of factory farming. The corn brooch references a certain strain of e-coli that is found in corn fed cows, the beef brooch talks about the use of growth hormones and antibiotics and the grass brooch represents the one percent of organic farms in the United States.

Photo credit: Artist

Erika A Uzmann
Chicago, IL. USA

Through research and experimentation, my work focuses on the ‘unnatural’ aspects of the food industry. This ranges from the unnatural treatment of animals to the growing industrialization of the farming industry. We are so far removed from where we began with agriculture in this country that consuming meat has become a battle of ethics, politics, health and the environment.


These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.