Climb to Utopia - Holding Place

Materials: Sterling silver, brass, 18k gold, coral, diamond, citrine
Dimensions: 6" x 2.5" x 2"

This vessel is a reference to Dante’s Divine Comedy and the universal struggle and desire of man to reach a more perfect state.
The base of the vessel represents a mountain to be climbed, the central coral element a purifying fire, and the cup the final achievement of peace or utopia. The surface is covered with textures from nature; the diamond represents purity and the yellow citrine the sun.

Photo credit: walker montgomery

Barbara Mann
Watkinsville, USA

The objects I make tell a story, relate a concept or record an observation. The subjects that interest me seem to remain constant: nature, science theories or discoveries, history, the beauty of form, materials and detail. Currently, I have been investigating themes of life and death, health and disease and the area of transition between each of these dual realms. These subjects have a rich history to explore. My interpretations of various ideas and images allude to this history in art, science, religion and superstition.

These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.