Bezel setting emerald

hi all, I have a huge project coming up with a high quality 3.3ct pear shaped emerald. the design is leaning towards bezel setting it in a signet style ring. I will not be attempting to set this one myself, as I’m simply not experienced enough to risk it. is anyone able to recommend a great setter, specifically with bezels or who often sets emeralds, who is local to nyc?

every time I think about this project I imagine the stone breaking during setting and my stomach drops. i’m terrified!!

hope you are all staying sane as the holidays approach!

When I’m afraid to set something I take it to Joesef Klein 151 W. 46th St. #1201
(917) 293-1271 He actually listens to you and works it out, unlike a lot of the old guys who just do what they think is best regardless of what you ask for.

Luis at L&C is also very good. 36 W 47th St, 5th fl. I forget which suite, but it’s straight ahead on the left.

Good on you for having the common sense and knowledge to farm out this sort of job out to a pro setter. That said…Regardless of who ever you decide to use for the setting, the bezel should be made out of 18kt or higher. Preferably in yellow as most white gold is harder. If your client wants white go with iridium platinum. It’s softer than ruthenium platinum. Post photos when it’s done please.
Jo

In the shop where I trained (Belgian owner, Italian master jeweler) we always set emeralds in 22K. The color looks best against emeralds, which is the main reason, and also the softness makes it less likely that undue pressure will be exerted on the girdle while setting.

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That would be my first choice too. Safe and really pretty too.

thank you! i’ve actually used L&C before, so this is good to know!

thank you everyone! the client wants 18k, hoping that will be soft enough :crossed_fingers:

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Pet peeve ~

It really touches a nerve with me, when the terms “hardness” and “softness” are used to describe a metal’s malleability. When these terms are used by professionals in this way, it very misleading to the average consumer.

I understand these terms, “hardness” and “softness”, as the ability to withstand a scratch, or an abrasion, A diamond is 10 in hardness(Mohs) ~ turquoise is 5. Turquoise is more likely to scratch than a diamond, it is not as “hard”. In this context, hard is good, soft is bad.

Gold, be it 14k, 18k, or 22k, all scratch, which has very little to do with its workability or how it bends, the relationship to malleability is different.

Pure gold is a very dense metal, it is also very malleable, it bends relatively easy. The denser the metal, the more resistant it is to wear. By adding alloys to stiffen the metal, it becomes less dense. The more alloys added, the more difficult it becomes to bend and shape. 14k yellow is less bendable or workable, than 18k yellow, because it has more alloys added, but 14k also looses its density, making it less desirable for both setting (workability) and overall wearability.

To describe 18k as “soft”, to an average person, it will sound as if 18k is the less desirable metal than the “harder” 14k, when in fact it’s more dense and workable, just the opposite, it’s more desirable.

When I use these terms “hardness and softness” in conjunction with my metal working, I think of “work hardening” and annealing, (softening). One can work harden the metal making it more difficult to bend and decreasing its workability. An 18k bezel that has been rolled out very thin, or overly hammered, without proper annealing will be challenging to set a stone in. Proper care needs to be taken in setting up the bezel.

The reason why many will use 22k for their bezels; it’s much more difficult to work harden, it’s denser, and then, there is the color.

Tjones ~

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