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URN Series ll - Holding Place

Materials: Sterling silver, fine silver enamel, copper, epoxy resin and enamel powder on Zcorp 3-D print.
Dimensions: 8" x H 11.5" x W x 11.5" D

Formed, fabricated, electroplated, sterling silver, and enameled fine silver, copper, epoxy resin and enamel powder on Zcorp 3-D print.

Photo credit: Elizabeth Lemark

Juan Carlos Caballero-Perez
Henrietta, NY. USA

Rituals around death play an important role in the mourning process. It is through societal rituals that we celebrate the life and honor the death of loved ones. Their passing is marked by mourning, funeral and burial rituals. This group of work embraces a dialogue between the past and the present by manifesting the sacred entity and the symbolic representation of the spirit of the object. This series of work is a reflection of who I am and my experiences growing up: my mother, my culture and country. It revolves around themes of strength, fragility, life and death. The Urn/Reliquary Series celebrates the life and honors the death of my mother; all mothers who sacrifice for their families. It pays tribute to the circle of life. We live, we die, we leave behind a legacy through our deeds, memories and work.

These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.