good book, much of the same info as her other books though so check
’em before buying more…( same with Elizabeth Olver’s books)
regarding the culet and pg.69: she means the culet ( bottom of the
stone) can vary if not machine cut, so measure all the stones and
don’t presume that each is the same DEPTH from girdle to tip as any
other in a parcel. IN her other book, “Jewelery Making”, she covers
the same thing a bit more clearly:
she says to take one diametric measurement just below the girdle,
and to measure the culet just above the tip…that drawing is much
more visually self-explanatory.
It shows the larger circle, in perspective about 3/.8 of an inch
above the smaller (culet’s) circle. When setting the stone in
anything but a flush setting it works out so that the stone is
comfortably resting on the bottom “ring” ( given a round brilliant
cut) or a bottom rectangle, for emerald cut,octagonal stones,
etc.thus the stones, in her methods of construction are set just
below the girdle in the top ring, and supported and leveled, with the
smaller ring just above the culet / tip -the two rings she shows
being connected by wires to construct the settings, and the addition
of prongs, or leaving the connecting wires to protrude 1/16th an inch
above the table of the stone for prongs.( the rules are different fro
her explanations of gypsy / flush setting) .I Find it very
interesting
that she uses inch measurements in her books, as opposed to
millimeters being British!!.
All-in-all I like her visual presentations of techniques and find
that students really like her books as they explain what many
teachers presume you come to class knowing…Coupled with Tim
McCreight’s book " the Complete Metalsmith"- any edition, and Harold
O’Connors " the Jewelwer’s Bench Reference", you should be mastering
setting skills in, uh, i don’t know…six months!!! But seriously, if
you are beginning, all three together are must haves as far as basics
and good references, explanations and standardization…after all you
probably want to develop consistency in the methodologies you choose
to learn well and enable yourself to repeat, after a time, without
having to go back to the marked pages… It will happen, be confident
of that…You are on the right track as it is, and Orchid, and a
number of other sites all provide you with many tools and
prescriptions for self-teaching… stone setting is the epitome of
your basic lessons…You may find it helpful to invest in some CZ’s
to practice with at first,especially the 1-3mm sizes and for pave
skill development, should you choose that as a desired application in
what you plan to do given your conceptualization of art, so that you
have perfected your skills to a point that you aren’t risking any
costly stones while learning them…On the other hand— there’s
always blue painter’s tape to cover a stone, in case a tool slips or
skips across the surface! R.E.Rourke
wish you would have asked on Orchid before ordering…, I happen to
have acquired 2 copies of McGrath’s “Ring Book” in the past two
years, and can only use one…C’est la Vie