Materials: Enamel on copper, sterling silver
Dimensions: 20" length. Pendant is 3.5" X 2"
This piece combines layers of enamel, graphite lines and textured sterling silver. The rich, orange enamel pops on the dark silver background
Photo credit: Robert Diamante
Beth Sargeant Novak
Beth Novak Enamels
St. Louis Park, MN. USA
I am originally from Wisconsin, where I went to UW Stout and got a degree in Studio Art, with a concentration in art metals. I have lived in St. Louis Park for the last 20 years, and after experimenting with different mediums, I have returned to my first love, metals.
I work with enamel on copper and sterling silver. I love to explore texture and color – and I find that both silver and enamel on copper really allows me to do so!
I form the copper before enameling to give the piece some depth. Often, I layer multiple pieces of enamel, adding interest and texture with holes, bumps or graphite lines.
My pieces are fabricated using sterling silver. I leave many of the textures in the surface of the silver that happen as a result of me working the metal. The patina I use is quite durable and has a wonderful depth of color.
It’s not easy to say where my ideas come from. I was raised in a very artistic home, and I grew up believing you could look at just about anything as inspiration!
The exhibition explores metal works whose primary theme is color embraced as their primary visual focus, whether that be using colored materials, exploring creating colored surfaces, or encasing the object in color.
As the world's largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner.
In total 303 artists contributed 814 show pieces for the permanent online exhibition.
The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world's largest internet jewelry site.
Hue is one of the primary properties of color, it refers to the place the color occupies on the visual spectrum. Humans have used hues throughout time, to create cave paintings, to decorate themselves, their clothing and their housing.
Different hues have taken on different meanings throughout time. Gold traditionally has been a color of purity - the metal gold is relatively unchangeable, and the hue of gold has come to stand for gods and goddesses, for royalty, for durability and for purity. Red has often meant love, or passion. Hues often reflect the meaning of the seasons, with pastels referring to spring and the burst of new life after the pale hues of winter. Summer is reflected in vibrant, deep hues, followed by the browning of hues in the fall as plants go to seed and die, and the land turns fallow.
The worth of a hue has often been tied to what is necessary to make the pigment that creates the hue, and the expensive involved in the process. Often created from crushed stones that had to be mined and carried by caravan over thousands of miles, or from fermented roots of plants only grown in certain areas, or the carapaces of rare insects - the creation of hue in a way that could be used by man was an involved and generally expensive process.
In today's world metalsmiths have access to perhaps the widest range of materials and hues in the history of man - and in some of the most affordable ways ever.
This exhibition celebrates hue - color - as an integral, inherent element of the work. We talk of the "richness" of color, and examples of this abound here. One expects hues from the colors of gemstones used in metalsmithing, but we also have hues from some less expected places. Glass enamels are an ancient way of adding color, as are a variety of patinas. Today's artists also use synthetic man-made materials to add color in ways that didn't exist a century ago.
We invite you to enjoy this celebration of hue, and the ways hues and their use have changed over time.