Materials: Japanese leaded enamel, 24k gold leaf, Fine Silver, Seterling Silver, Moonstoneilver
Dimensions: Actual dimension 2 inches x 2 inches
I choose an aerial topographic map over Mount Hood, Oregon as my inspiration.
It is a Pendent, using cloisonne technique of enameling.
Photo credit: Anahid Prigmore
Houston, TX. USA
As an Artist, I would like color to be the chief vehicle of expression and engage the viewer's imagination into their own interpretation of the subject.
After 30 years in the corporate world, I decided to pursue my passion in arts. I attended The Glassell School of Art and studied metalsmithing under Sandy Zilker and enameling with Jan Harrell.
This piece was my first adventure into the cloisonn? technique of enameling. My goal was to use color that represented nature yet had more vivid impact on the viewer evoking their sense of being present in that space. My mentor, Jan Harrell suggested that I depict an aerial topographic map as my inspiration.
This piece was selected to be exhibited for more than 3 months at the 2011 Glassell School of Art, Juried Annual Student Exhibition at MFAH, The Glassell School of Art.
The exhibition explores metal works whose primary theme is color embraced as their primary visual focus, whether that be using colored materials, exploring creating colored surfaces, or encasing the object in color.
As the world's largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner.
In total 303 artists contributed 814 show pieces for the permanent online exhibition.
The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world's largest internet jewelry site.
Hue is one of the primary properties of color, it refers to the place the color occupies on the visual spectrum. Humans have used hues throughout time, to create cave paintings, to decorate themselves, their clothing and their housing.
Different hues have taken on different meanings throughout time. Gold traditionally has been a color of purity - the metal gold is relatively unchangeable, and the hue of gold has come to stand for gods and goddesses, for royalty, for durability and for purity. Red has often meant love, or passion. Hues often reflect the meaning of the seasons, with pastels referring to spring and the burst of new life after the pale hues of winter. Summer is reflected in vibrant, deep hues, followed by the browning of hues in the fall as plants go to seed and die, and the land turns fallow.
The worth of a hue has often been tied to what is necessary to make the pigment that creates the hue, and the expensive involved in the process. Often created from crushed stones that had to be mined and carried by caravan over thousands of miles, or from fermented roots of plants only grown in certain areas, or the carapaces of rare insects - the creation of hue in a way that could be used by man was an involved and generally expensive process.
In today's world metalsmiths have access to perhaps the widest range of materials and hues in the history of man - and in some of the most affordable ways ever.
This exhibition celebrates hue - color - as an integral, inherent element of the work. We talk of the "richness" of color, and examples of this abound here. One expects hues from the colors of gemstones used in metalsmithing, but we also have hues from some less expected places. Glass enamels are an ancient way of adding color, as are a variety of patinas. Today's artists also use synthetic man-made materials to add color in ways that didn't exist a century ago.
We invite you to enjoy this celebration of hue, and the ways hues and their use have changed over time.