Hello everyone. Please be kind to me I am a rank amateur and it
appears amateurs get little respect in professional circles in the
art community.
I am winding down a long career in education and trying to move
toward a more professional involvement in the jewelry arts. It is my
passion… everyone says you are supposed to do what you are
passionate about the second time around As part of the process
of… well… making a radical career switch… I am applying for
membership in the KY Guild of Arts and Crafts. That just scares the
holy crap out of me because… well… I don’t know what to expect and
if I am “good enough”. I have been a metalsmith and lapidist for 40
years… as a hobbyist. You can be slack as a hobbyist… and who
cares. I have to admit that I have produced some of the most god
awful work that any metalsmith could have ever produced… ok… my
solder joins always met and I hate firescale… but some of it was
really ugly. But the worse charge… was most of it was uninteresting.
Over the last 10 years or so I have been trying to refine my skills.
I struggle with design. I still suck. I just want to work on the
technical aspects right now… the whole business aspect scares me
worse (and I have an MBA).
The range of things a professional jewelry artist has to deal with
is daunting… business skills, technical skills, artistic
ability… and the metals market. And the whole jury process scares
me… do I do simple pieces technically well… do I show what
techniques I have mastered? Or … (my inclination)… do I do things
that make me happy. I don’t appearto fit the contemporary mold very
well… I think I may be a minimalist.
I look at the work I see over and over for instance in whatever that
mag= is called (it will always be Lapidary Journal to me) and think…
how the hell is someone going to wear that? Form follows function…
if you can’t wear it… why make it? I struggle with stones too… I
have some real= ly nice old stock andean blue opal… but if it is not
going to last 10 years in a ring with daily wear… why make it? I
have heard that craft guild people are snobs… perhaps from those
who… well… are less than prepared. I love the way the KY Guild
presents it on their web page… they don’t seek to exclude…just
include those whose work is exemplary. I want to be exemplary I am
less interested in “making the cut” than finding some like minded
people. If any one of you suggest I find a local crafts club I will
personally hunt you down and pull your underwear over the top of
your head. And…I have been so out there and alone with this forever
because I live in the middle of nowhere and no one does this in
rural freaking KY. Have you ever tried to make neilo by yourself…
it would be nice to have a community to belong to where I could call
up a friend and we could do those things together… and people not
think I a crazy.
Who can I talk to about Keum boo… I am playing with that… I ran to
show my wife the first time I tried it… it really works… lol… and
she was mostly uninterested I thought it was pretty damn neat
Talking to you guys is NOT the same as having a friend to do it
with. How come no one does things like keum boo ro neilo
professionally… the labor involved… lack of market… what??
Oh… my question. I think I may have went off on the deep end there
for awhile. So… reticulation. If I use an element… say a dome…
that I have reticulated using an 80/20 silver… I can’t mark this as
sterling - right? IF… I can manage to add enough fine silver to
bring it to .925 … is that kosher? By law I can’t mark it as
sterling if the whole piece would not assay out as.925… is that
correct? I can reticulate sterling… and in some cases like the more
subtle effect… but that was not the question. From a business
standpoint… will you produce something you can’t legally mark? At
some point… in the artistic vs business equation… do you say…
who cares if I mark it?