In his Orchid post, Sydney Cash poses deep questions about the
origin of self-adornment in humans. While there are those in
academic authority that make speculations based on current cultural
belief, these statements are nothing more than educated conjectures
about the distant past. The remains hidden with the
passage of eons of time. Or does it?
Other, more exotic sources may provide that sheds some
light on this subject. Shown below is that has been
’channeled’ over a period of some twenty years, and is part of the
book ‘The Atlantean Influence in Contemporary Society.’ In reading
this brief extract, let your heart, rather than your mind, be the
judge.
For greater understanding of the text, let us make the following
assumptions:
Early humans were simply intelligent animals. Unlike the other
animals however, humans developed the capacity to sustain
individuated spirit (substitute ‘soul’ here if you like.) As a
consequence, ‘beings of light’ (souls) began to inhabit humans,
creating what the people of today aRe: spirited humans. In the
prehistoric times referred to below there were two types of humans,
spirited and unspirited. The text follows.
Q. How did art evolve in prehistoric society?
A. In those early days beauty was a thought process, and beauty was
expressed in many different ways. First in just the beauty of the
light within, and when this was found and seen and understood,
spirited humans dwelled on this inner beauty in their mind’s eye. In
dealing with physical earth, they found themselves admiring and
gaining interest in things as simple as smooth pebbles, crystals,
and light reflected in crystalline structures such as snow and ice.
These beautiful things they dwelled upon, and made images in the
form of expressions of gathered shells, crystals, teeth, anything
they could find that expressed this shiny and golden quality of
light, for light was the way in which they expressed themselves.
Light reflected on water was seen as something worshipful because
they could see the light within each other and interpreted that as
beauty. So the first art forms were nothing more than reflected
sunlight and moonlight upon surfaces. The sunlight gleaming off a
fr! esh picked up pebble from a streambed could be as highly valued
an item to the collector as anything in the world.
Crystals were a form of exchange of pure love, for instance to
enhance ones ability to gain entrance into another’s realm, as in
friendship or love, or expressions of worthiness. The exchanging of
beautiful reflected surfaces such as crystals, or shiny pebbles of
pyrites, or anything that had a cubical structure to it was highly
refined as a meaningful exchange of gift.
They also laid them on for healing, for the body was physical and in
an ill space with a harsh environment. So the feelings of using
these as healing instruments was very much so, for they saw with
their third eye the energy output of these materials of crystalline
forms. Every magic man had his bag of crystals and perfect rocks for
the processes of laying on of stones, for they could see the natural
forces that were emanated, and could see the pulse waves that
triggered healing within the physical body. They did not understand
it, but they could see it. In seeing it, they used it and knowledge
was gained. This was an evolutionary process in human form, for
spirit had no concept of these physical aspects. Since they were
more light spirits to begin with than physical form, they used these
processes to illuminate their world of healing magic, and it also
gave them power over their lower cousins from whom they had begun to
separate by the ninth and tenth generations. The separ! ation was a
culmination of pilgrimages away from the land of the animal.
One of their major differences was the adornment of their bodies,
the attachment of shells and stones and acorns were the first
indication of a higher developed skill. They were not encompassing
anything of an intellectual nature, for the first spirited beings
were quite satisfied to be just physical animal. But their highly
evolved spirit was already beauty orientated or esthetically
orientated, and therefore adornment was the first accumulated thing
of a different nature. It set them apart dramatically for all of a
sudden they wore strings of adornment, shells, stones etc., and
their lesser parents or siblings saw them as being different and
imitated them.
You might say that art was the first or second human spiritual
attribute. We will determine now that the difference between what we
will call human and animal is because the human possessed spirit,
the animal possessed physical prowess. And the two were different
from the beginning, because these spirited humans were born with the
third eye. All of which still is in the world today within each
being, but not opened.
Randolph Post