Honoring Transition - Holding Place

Materials: copper, silver, bone and bronze
Dimensions: 8" x 6"

copper and silver reliquary container.

Photo credit: Rob Glover

Charlette Rose
Lubbock, TX. USA

As an artist, I have always been influenced by nature. The incredible range of design, color and texture fascinate me. As a child, I roamed freely through the woods, rivers, swamps and seashore, meeting kindred spirits in the flora, fauna and even the stones. I found joy in isolated places. My childhood was dominated by beauty, death, and religion. Ritual and solitude granted me the means to seek understanding of all the loss I experienced. As an adult, art allows me to express that understanding.

Death and art are intimate experiences. I feel intense joy in living, yet I am filled with grief. The extinction of a species, whose joy in living is surely as intense as my own, perhaps the death of my own species, and even of the earth where I live, all color my artist’s being and inspire my work. Creating, the sheer act of making, allows me to find my balance in joy and death. It is how I honor the dead. It is how I honor life.

These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.