Regarding the discussion of jewelers with less than ten fingers:
I have known several highly skilled bench jewelers who could not
count to ten on their own hands. (I think that humor is always a
good antidote to taking life too seriously and that the
intention of the humorist is what counts.)
Thomas Herman (to whom reference has been made on Orchid) has a
company called Seven Fingers Jewelry. His handwork is
unbelievably beautiful and sophisticated, employing the arts of
fabrication, casting, sawpiercing and chasing to a very high
level. Here is an excerpt from a chapter I wrote about him for
The Art of Jewelry Making, which will be published in October:
“Thomas Herman - Seven Fingers Jewelry Tom Herman grew up on a
family farm in Minnesota. When he was 5 years old, he was
involved in a machinery accident and lost three fingers on his
right hand. Tom learned to adapt quickly, realizing that if he
ignored his disability, everyone else would too. Obviously this
approach worked and Tom wound up choosing a career that requires
the highest level of manual dexterity.”
There is a very interesting new book called The Hand - How its
use shapes the brain, language and human culture, by Frank R.
Wilson (handoc@well.com) from Pantheon (ISBN 0-679-41249-2). The
author is a neurologist and hand specialist, and his book is
absolutely fascinating. One section is about Goerge D. McLean, a
longtime friend, mentor and colleage of mine, who also lost part
of his hand to an accident early in life. George has been an
artist from birth, with two masters degrees from Stanford
University: Education and Art. After his accident, George become
a very successful retail goldsmith and an award winning jewelry
designer. For years he had the finest jewelry store in
Sausalito, California and for 20 years he taught hundreds of
people through his classes at the Revere Academy. Anybody who
knows him can attest to the fact that having 10 fingers is
hardly a requirement for becoming a first rate jeweler,
craftsman or designer. George is the best jewelry renderer I
know, not to mention one of the finest human beings on the
planet. He illustrated both my books so far, as well as The Art
of Jewelry Making. His work appears in Adolfo Mattiello’s
excellent book on rendering jewelry.
Curiously, a few years ago I was asked to testify as an expert
witness on the side of a young man who felt that his jewelry
career and livelihood had been destroyed when he lost partial
use of his hand (from a repeated stress injury due to cutting
pizza). Needless to say, after personally knowing Tom and George
and the work they created, I found the plainfiff’s arguement
untenable and I declined to support his case.
If it were only that simple, blaming one’s shortfalls on
physical limitations.
Alan
Revere Academy of Jewelry Arts
760 Market Street . Suite 900
San Francisco . California . 94960 . USA
tel: 415 . 391 . 4179
fax: 415 . 391 . 7570
email: alan@revereacademy.com
web site: www. revereacademy.com