Materials: Fine Silver, 23K Gold Leaf
Dimensions: 1 inch x 3.5 inches
Inspired directly by the form of a gibbet. Dead or dying bodies were hung on public display to prevent potential crimes from happening.
Photo credit: David Butler
Kelly Anne DeKenipp
Brooklyn, NY. USA
The foundation of my work is built through concepts of traumatic emotional experiences and dark temptations. I translate the realities of uneasy and somber motifs into objects of everyday wear. My jewelry is executed with a sense of enchantment, paired with whimsical elements. This allows for an awareness of darkness to exist in light.
I traveled to England with my mother in the summer prior to the start of my undergraduate education. I was drawn to the torture chambers tucked away within the castles and found myself specifically gravitating towards the objects of torture. Each object held a reflection of its past and was beautiful in form. I researched the romantic history of these objects and took notice to their physical forms and structures. These objects and their history inspired me to create this collection of work.
The shadows left from the act of torture and the dramatic forms of various torture objects directly guided my design process. Subtle references of their daunting and weathered qualities are apparent throughout the collection. The jewelry is harmless while keeping its initial inspirational origin. Silver is used to construct the forms and gold leaf adds a perceived value to the pieces. The beautiful forms and choice of materials allow the work to be cherished and worn as a treasured object.
The exhibition explores metal works whose primary theme is color embraced as their primary visual focus, whether that be using colored materials, exploring creating colored surfaces, or encasing the object in color.
As the world's largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner.
In total 303 artists contributed 814 show pieces for the permanent online exhibition.
The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world's largest internet jewelry site.
Hue is one of the primary properties of color, it refers to the place the color occupies on the visual spectrum. Humans have used hues throughout time, to create cave paintings, to decorate themselves, their clothing and their housing.
Different hues have taken on different meanings throughout time. Gold traditionally has been a color of purity - the metal gold is relatively unchangeable, and the hue of gold has come to stand for gods and goddesses, for royalty, for durability and for purity. Red has often meant love, or passion. Hues often reflect the meaning of the seasons, with pastels referring to spring and the burst of new life after the pale hues of winter. Summer is reflected in vibrant, deep hues, followed by the browning of hues in the fall as plants go to seed and die, and the land turns fallow.
The worth of a hue has often been tied to what is necessary to make the pigment that creates the hue, and the expensive involved in the process. Often created from crushed stones that had to be mined and carried by caravan over thousands of miles, or from fermented roots of plants only grown in certain areas, or the carapaces of rare insects - the creation of hue in a way that could be used by man was an involved and generally expensive process.
In today's world metalsmiths have access to perhaps the widest range of materials and hues in the history of man - and in some of the most affordable ways ever.
This exhibition celebrates hue - color - as an integral, inherent element of the work. We talk of the "richness" of color, and examples of this abound here. One expects hues from the colors of gemstones used in metalsmithing, but we also have hues from some less expected places. Glass enamels are an ancient way of adding color, as are a variety of patinas. Today's artists also use synthetic man-made materials to add color in ways that didn't exist a century ago.
We invite you to enjoy this celebration of hue, and the ways hues and their use have changed over time.