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Envelop - Holding Place


Materials: copper and brass
Dimensions: 29" x 20" x 11"

This piece is hand formed from one sheet of copper, chased, and acid etched. The larger than life hands envelop the viewer. The etched detail of fingerprints lures and cups the viewer.

Photo credit: Artist Image

Avery Lucas
Pawtucket, RI. USA

My studio practice has become a push and pull of tool marks against copper as I cultivate my relationship between material and my own hands. Each piece I make is like a lover teaching me how to touch, respond, and pay attention. I am learning tenderness and strength through making. In this way, I hope to understand my own humanness by using my work as a conduit into the self.

My body of work is an investigation of my own worries, fears, hopes, and uncertainty. I see the visceral as being inherent in emotional and physical state of being. The skin of the metal becomes a reflection of my own body by using the gestures of hands and flesh to convey emotion. I ask myself, what is this mass of meat that I am and how can I feel so deeply? My work catalogues my process of discovering what is within myself.

These containers and vessels definitely hold their place in the world of stunning art objects as well as in the world of metalsmithing.

Since the dawn of time humans have created containers to hold things that were important to them, from large vessels to hold food and harvests to intimate containers for small precious things. They might hold memories, ashes, medicine, beverage, fruit or food - but all spring from the imagination and skill of the maker. Some have specific religious functions, some are meant for everyday use. When one thinks of a vessel or container the inclination is to think of something with solid walls - yet many of these works involve the exploration of positive and negative space, and the use of negative space to help create the illusion of the wall of the vessel.

As the world’s largest jewelry related internet site, Ganoksin strives to develop exhibitions showcasing work from around the world. This exhibition was open to all metalsmiths, professional and amateur, advanced and beginner. Participants are from The Netherlands, the USA, Canada, Australia, Costa Rica, the United Kingdom, Israel, Hong Kong, Colombia, Romania, Italy, Ireland, Japan, Malaysia and Denmark. While most of the pieces are by an individual metalsmith, some are collaborations, one of three artists spanning 50 years.

In total 319 artists contributed 729 show pieces for the permanent online exhibition.

Objects in the exhibition include boxes, lockets, urns, ash containers, bowls, wine cups, reliquaries, match holders, vases, teapots, pitchers, sugar bowls, baskets, nests, pillboxes, clutches and a range of sculptural forms. A variety of techniques are showcased covering a wide range of metalsmithing techniques. Materials used include everything from gold and silver to less expensive metals. Ornamentation includes the addition of enamel, chasing and repousse’, gemstones and found objects.

The exhibition was curated by Beth Wicker, President of the North Carolina Society of Goldsmiths in the United States, and Adjunct Instructor at Northeastern Technical College in South Carolina. Director of the exhibition is Hanuman Aspler, founder of The Ganoksin Project, the world’s largest internet jewelry site.