Carthetic Art

    If this is true then real art itself is not subject nor
product of the catharsis but rather the product of normality?
The emotion would be the byproduct of the stress of trying to
normalize one's life in the face of institutional and cultural
resistances which try to make us into useless, idle consumers? 

Interesting point. My opinion is that art begins at the level
of a basic desire to personalize our environment at very simple
physical levels. Where it involves profession, politics,
markets and institutions is another matter. There we are
involved in various complex dialogues like “what is art”,
“should we (the public) have to pay for it?”, “I have a pet
chimpanzee that can do that” etc. Certainly there is little
comparison between the practiced techniques and design sense of
the trained professional and the abilities of the dilitant.
However, that’s where the “genius” part comes in. When a
perticularly astute amatuer is able to grasp and exhibit
processes which are comparable to those of the trained, it is
recognized perhaps not as “genius” but as the work of a prodigy.
I believe there we are dealing with a hint of the divine
underpinning of creativity and it’s drive to be expressed in
humanity. Yes, as cynical as I am, I believe our role as
artists is somehow akin to what my old craft manager at
Greenfield Village told me. “David, your work is for the
greater glory of God.” That suits me. . . however and whatever
that is to be. I’m just in a state of spiritual angst because
all I can see is that I am in the business of catering to the
vanity of the idle rich and those disgusting socially aspirant
materialists from the middle class we call “Yuppies”. By the
way, if you find this idea of Coomaraswamy’s provocative, I bet
you would enjoy a book by Robert Persig (Zen and the Art of
Motorcycle Maintenance) called “Lila”. This could get to be an
interesting thread. Anyone read “Poetry of the Physical” by
Paul Lucie-Smith? Perhaps this thread should get into the areas
of the distinctions of art and craft.

David L. Huffman, bench philosopher, of sorts. . .

David- Your statement of anxiety is shared by most of us,
tool-users, artists and non-artists alike.

I compliment you on your frankness and ability to express a
nagging, oft overlooked anxiety.

My solace comes from a passage from the ‘Bhagavad-Gita’. An
ancient Hindu text that Henry Thereau often quoted. A discourse
between Krishna and his charioteer/servant Arjuna about the
subject of fruitless labor (in this case an imminent battle with
cousins) and a desire for meaningful work…is answered by the
instruction to (if i may be allowed to paraphrase) 'commit work
as an act of love, sacrifice and devotion. Do one’s best and
leave the fruits of the work as an ‘offering’. It is the act of
unrequited love that transcends the mundane circumstances.

Peace. kim

Hi Karen, Can you fax us an invoice for the fee to have our brochures
inserted into the SNAG conference packages? Did you get the brochures
yet? fax: 403-283-9053

love your newsletter, looks like you are doing great things at
Metalwerx

best
Charles

Charles Lewton-Brain
Box 1624, Ste M, Calgary, Alberta, T2P 2L7, Canada

Charles, As I remember, we did get your inserts. There should have
been a check included with the inserts, but I must confess, with 20
plus people at my studio and 750 packets to stuff, it got a bit
chaotic. What kind of invoice do you need? The check should be made
out to SNAG and I don’t believe they are doing individual invoices.
You might want to talk to Paulette at the conference.

Thanks regarding the newsletter. Metalwerx is becoming the happening
place in Boston.

See you at the conference.

-k
Karen Christians
M E T A L W E R X
10 Walnut St.
Woburn, MA 01801
781/937-3532
http://www.metalwerx.com/
@metalart

Current Artwork:

https://www.ganoksin.com/orchid/karen1.htm